Showing posts with label movement. Show all posts
Showing posts with label movement. Show all posts

Saturday, June 2, 2012

Wassily Kandinsky

Wassily Kandinsky art

The Russian painter and graphic artist Wassily Kandinsky was one of the great masters of modern art, as well as the outstanding representative of pure abstract painting (using only colors and forms) that dominated the first half of the twentieth century.


here see all his art works and the original post:




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Famous artworks:

Wednesday, May 30, 2012

Piet Mondrian's abstraction and his trees


Piet Mondrian's pure abstraction

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Piet Mondrian is recognized as the purest and most methodical of the early abstractionists. He radically simplified the elements of his artwork in an effort to reflect what he believed to be the order underlying the visible world. In his ground breaking paintings of the 1920s, Mondrian strictly limited his color palette to black, white, and the three primary colors: red, yellow, and blue.

Mondrian's use of asymmetrical balance and a simplified pictorial vocabulary were crucial in the development of modern art. His iconic abstract works remain influential in design and familiar in popular culture.

















A theorist and writer, Mondrian equated art with the spiritual. He simplified his work, searching to reveal the essence of the spiritual energy in the balance of forces that governs nature and the universe.
Mondrian attempted to represent the world through vertical and horizontal lines which to him represented the two opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine.
Mondrian's singular vision is clearly demonstrated in the methodical progression of his artwork from traditional representation to complete abstraction. The paintings evolve logically and illustrate clear periods of influence art movements such as Luminism, Impressionism, and especially Cubism.
Mondrian was a founding member of De Stijl, an influential Dutch art movement that advocated pure abstraction to express a utopian ideal of universal harmony.


Mondrian's trees paintings





































Quotes



"The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture."

"Every true artist has been inspired more by the beauty of lines and color and the relationships between them than by the concrete subject of the picture."

"To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual."

"I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects."

"I don't want pictures, I want to find things out."

Monday, May 28, 2012

Mark Rothko art paintings quotes


Mark Rothko art paintings quotes




Mark Rothko moved through many artistic styles until reaching his signature 1950s motif of soft, rectangular forms floating on a stained field of color. Heavily influenced by mythology and philosophy, he was insistent that his art was filled with content, and brimming with ideas. A fierce champion of social revolutionary thought, and the right to self-expression, Rothko also expounded his views in numerous essays and critical reviews. 














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Highly informed by Nietzsche, Greek mythology, and his Russian-Jewish heritage, Rothko's art was profoundly imbued with emotional content that he articulated through a range of styles that evolved from figurative to abstract.
Rothko's early figurative work - including landscapes, still lifes, figure studies, and portraits - demonstrated an ability to blend Expressionism and Surrealism. His search for new forms of expression led to his color field paintings, which employed shimmering color to convey a sense of spirituality.
Rothko maintained the social revolutionary ideas of his youth throughout his life. In particular he supported artist's total freedom of expression, which he felt was compromised by the market. This belief often put him at odds with the art world establishment, leading him to publicly respond to critics, and occasionally refuse commissions, sales and exhibitions.
artstory




MARK ROTHKO QUOTES

If you are only moved by color relationships [in my paintings], you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.

Since my pictures are large, colorful, and unframed, and since museum walls are usually immense and formidable, there is the danger that the pictures relate themselves as decorative areas to the walls.

We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.

The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.

Monday, May 21, 2012

Wassily Kandinsky art paintings biography quotes





Wassily Kandinsky art, paintings, biography and quotes







The Russian painter and graphic artist Wassily Kandinsky was one of the great masters of modern art, as well as the outstanding representative of pure abstract painting (using only colors and forms) that dominated the first half of the twentieth century.



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Wassily Kandinsky was born on December 4, 1866, in Moscow, Russia. His father was a tea merchant. When he was five years old the family moved to Odessa, Russia. The young Kandinsky drew, wrote poems, and played the piano and the cello. Because his family was fond of traveling, Kandinsky got to see the Italian cities of Venice, Rome, and Florence as a young boy. He was also influenced by the imposing Muscovite (from Moscow) buildings such as the Kremlin. Between 1886 and 1892 Kandinsky studied law and economics at the University of Moscow. In 1889 he was a member of a team formed to study the life of the people in the Vologda district in northwestern Russia. He was highly impressed by their folk art and the interior decorations of the village houses. The use of forms and colors became an influence in his art. In 1893 he accepted a position on the university's law faculty.



  








It was not until 1896, when Kandinsky was thirty years old, that he decided to become an artist. His artistic development was shaped greatly by an exhibition of French impressionist painters that was shown in Moscow in 1895. The impressionists used values of color and light to show their subjects rather than painting in fine detail. The works of Claude Monet (1840–1926) attracted Kandinsky's attention. In Monet's paintings the subject matter played a secondary role to color. It was as though reality and fairy tale were intermixed. That was the secret of Kandinsky's early work, which was based on folk art, and it remained so even as his work became more complex.The year 1910 was crucial for Kandinsky and for the art world. Kandinsky produced his first abstract watercolor. In that work all elements of representation (the actual look of a subject) seem to have disappeared. In continuing his early abstract works he used strong straight-line strokes combined with powerful patches of color.










When World War I (1914–18; a war in which Germany, Austria-Hungary, and Japan fought against Great Britain, France, Russia, and the United States) broke out, Kandinsky returned to Russia. In 1917 he married Nina Andreewsky. During the Russian Revolution (1917), which overthrew the czar, the ruler of Russia, the artist held an important post at the Commissariat (government bureau) of Popular Culture and at the Academy in Moscow. He organized twenty-two museums and became the director of the Museum of Pictorial Culture. In 1920 he was appointed professor at the University of Moscow. The following year he founded the Academy of Arts and Sciences and became its vice president. At the end of that year, the Soviet attitude toward art changed, and Kandinsky left Russia.

















In 1922 Kandinsky became a professor at the Bauhaus (a school of art, architecture, and design) in Weimar, Germany. His art from about 1920 to 1924 has been called his architectural period because the shapes he used were more precise than before. There are points, straight or broken lines, single or in bunches, and snakelike, radiating segments of circles. The color is cooler, and more subdued (softer, quieter).




















Kandinsky became a German citizen in 1928. In 1929 Kandinsky held his first oneman show in Paris, France, and traveled to Belgium and the French Riviera. In 1930 he had another exhibition in Paris. In 1931 he produced wall decorations for a large architectural exhibition that was held in Berlin, Germany. When the Bauhaus closed in 1932, Kandinsky moved to Berlin. A year after that he moved to Paris. From 1927 to 1933, Kandinsky's paintings were characterized by abundant use of pictorial (like real pictures) signs and softer color. This is called his romantic or concrete period. It led to the last phase of his art, spent in France, which was a synthesis (blending) of his previous periods.



























The paintings of his Paris period have splendid color, rich invention, and delightful humor. In 1939 Kandinsky became a French citizen. He died on December 13, 1944, in Neuilly-sur-Seine, France.


Quotes:

+The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.


+I value those artists who embody the expression of their life.

+An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.


+Almost without exception, blue refers to the domain of abstraction and immateriality.


+A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.


+As a picture painted in yellow always radiates spiritual warmth, or as one in blue has apparently a cooling effect, so green is only boring.


+Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.


+Color is the keyboard, the eyes are the harmonies, and the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.


+The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.'


+The true work of art is born from the Artist: a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.


+The more frightening the world becomes... the more art becomes abstract.




Great like for detail info about his paintings:

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