He sculpts the shapes of familiar objects directly on the canvas and covers them with layers of paint to create the desired 3D effect.
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Showing posts with label Joseph Beuys. Show all posts
Showing posts with label Joseph Beuys. Show all posts
Saturday, June 9, 2012
Monday, April 16, 2012
Joseph Beuys Art

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Beuys did not consider art to be separate from society, and he devoted the last twenty years of his life to both art and constant activism for socioeconomic reform (he was a founding member of Germany's Green Party). The blackboard diagrams he made during countless public lectures, evoking his early drawings as well as his experience as a professor of art, describe his "social sculpture": the application of creative strategies and ideals to the achievement of a free and democratic world community.
Beuys died in 1986 in Düsseldorf. In the subsequent decade his students have carried on his campaign for change, and his ideas and artwork have continued to spark lively debate.
During his youth he pursued dual interests in the natural sciences and art, and he chose a career in medicine. In 1940 he joined the military, volunteering in order to avoid the draft. He was trained as an aircraft radio operator and combat pilot, and during his years of active duty he was seriously wounded numerous times. At the end of the war he was held in a British prisoner-of-war camp for several months, and returned to Kleve in 1945.
During the 1960s and 1970s Beuys was a major pioneer of performance art. In his "actions," as he called them, he used time, sound, and objects as sculptural materials. Many of his sculptures, including those on view here, originated in actions and serve as relics of those events as much as autonomous works. The actions also survive in photographs, films, and video that capture the power with which the artist used his physical and psychic energy to create unforgettable scenarios infused with mythological, historical, and personal resonance.
Beuys did not consider art to be separate from society, and he devoted the last twenty years of his life to both art and constant activism for socioeconomic reform (he was a founding member of Germany's Green Party). The blackboard diagrams he made during countless public lectures, evoking his early drawings as well as his experience as a professor of art, describe his "social sculpture": the application of creative strategies and ideals to the achievement of a free and democratic world community.

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Friday, April 13, 2012
Allan McCollum the American Conceptual artist
Allan McCollum is a contemporary American artist who was born in Los Angeles, California in 1944, and now lives and works in New York City.
He has spent over forty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970, and his first New York showing was in an exhibition at the Sidney Janis Gallery ...
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>>> david-lynchs-surrealism
>>> joseph-beuys-joseph-beuys-was-german.html
>>> david-lynchs-art-crazy-clown-time
Allan McCollum
Perpetual Photos, 1982-89
Silver gelatin prints
Allan McCollum.
Bleach Painting.
1969
Allan McCollum.
Perfect Vehicles.
Allan McCollumThe Dog From Pompei,
1991.
Allan McCollum.
Individual Works,
Drawings
Allan McCollum: Mount Signal and Its Sand Spikes, 1999/2000.
Drawings
Allan McCollum.
Individual Works,
Allan McCollum.
Individual Works,
1987/88
Allan McCollumThe Dog From Pompei,
1991.
Allan McCollum.
Perfect Vehicles.
Allan McCollum.
Surrogate Paintings,
1980/81
wikipedia....
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Friday, March 23, 2012
Joseph Beuys the German experimental artist
Joseph Beuys was a German multi- and mixed-media artist best known for incorporating ideas of humanism, social philosophy and politics into his art. Beuys practiced everything from installation and performance art to traditional painting and "social sculpture." He was continually motivated by the belief of universal human creativity.
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One of Joseph Beuys's most theatrical installations, Blitzschlag mit Lichtschein auf Hirsch (Lightning with Stag in Its Glare) articulates the German artist's obsession with primal and elemental forces: the earth, animals, excrement, and death.
He calls for nothing less than a complete overhaul of that system in which art is a product of a consumer society who needs paintings to decorate walls, to use as barter, or to receive momentary uplifting. "Art is," he said, "a genuinely human medium for revolutionary change in the sense of completing the transformation from a sick world to a healthy one." (Beuys quoted in Quartetto, exhibition catalog, Arnoldo Mondadori Editore, 1984, Milano, p. 106)
"... just as you have come to me, because of what I've made, and we can talk about it ..."Beuys
"... just as you have come to me, because of what I've made, and we can talk about it ..."Beuys
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